”More void than solid," Konstantin Grcic's Chair One, introduced by Magis in 2004, was a technological breakthrough four years in the making. "I decided to break up surfaces into thin sections like branches and let the material flow through the mold to create the shape, which is kind of like a basket or a grid, and very three-dimensional,” the designer explained of the web-like seat and back that define Chair One's die cast aluminum profile. Innovation aside, if Chair One's instant popularity—and presence in museum permanent collections—is any indication, Grcic's decision has proven to be a visionary one.
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